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The Last Four… things at the Edinburgh Fringe which were great

November 23, 2008 Columns, Comedy Comments

The Pajama Men at the Edinburgh Fringe

Now then, this is a way far too long ago retrospective but better late than never. Here’s my top finds from the Edinburgh Fringe 2008 – or more precisely, the last four things at the Edinburgh Fringe which were great. And oh boy, were they good. A special mention must also go out to Feast Of The Ants, The Return of the Scottish Falsetto Sock Puppet Theatre and Song – all of which were astoundingly unique, capitulating what makes the Fringe so special.

Ed Byrne – Assembly Rooms
The most naturally funny stand-up you’re likely to encounter this side of 2000, Perrier Award-nominated Byrne travels off unabashedly into none-too-obvious territory. His humour is beyond uncontained and veers close to word vomit. A true spectacular, where I was constantly playing catch-up with the speed of his wit.

The Frog Man at Zoo – The Pleasance
Culminating in the protagonist becoming the frog that was once the metaphor for his mind, seeing this in a mostly empty tiny venue proves a sheer delight. As dark as it was entertaining, the nostalgia provides impressively subtle in contrast with the exaggerated, pastiched dramaticism unfolding before your very eyes.

Pajama Men: Versus vs Versus – Assembly at George Street
Absolutely lol-some hysterics here – a caricatured-up Chicago-based version of the lovechild of The Mighty Boosh and Anchorman. Wha? Well, it’s series of sketches taking in a throng of mini-characters by way of face contortion, hilarious voices, audience interaction and séances. Go seek them out.

Womb Man – C Soco
A true one-man show, this was. Ricky Payne played out characters from Malcolm X to Man, Hitler to Jesus. And each one engaged with the other, flipping between personas within a millisecond. I was a mix of astounded and perturbed by his acting skills, and my mind was abuzz for hours after this spectacular. Stark-raving loony, and as brilliant as its own genius.

Written by Natalie Shaw

.. rules the Muso's Guide roost, as Editor thereof. Why? 'cause she considers the term 'music snob' redundant, because her music taste is infinitely better than yours and because she likes words a bit too much. She formulates and promotes the inaugural, seminal Muso’s Guide Presents… shows in London and is also the ears, keys, and mouse-clicker responsible for Muso’s Guide’s Last.fm charts.

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