Cher and cher-a-like: Gaga to duet

This has messed with our minds! Do two gay icons create the ultimate gay icon, or do they cancel each other out to become some kind of scared-straight mega-monster?

Either way, Cher and Lady Gaga’s duet is intensely awesome news if you’re in any way enamoured with camp pantomime and black leather popgasms.

Gaga donated a track she had written, ‘The Greatest Thing’, for 65-year-old Cher to use on her comeback album. The album, which we’re literally dribbling at the thought of (dig out that two-strap nautical onesie, stat!) will be Cher’s 26th studio record and it’s now been confirmed that it defintely will feature The Greatest Thing.

And how has Cher confirmed this? Why Twitter of course. How else? Seriously, how else do things get confirmed these days?

“Can’t wait till GaGa puts her Voice on ‘ The Greatest Thing ‘ SHE WILL ROCK IT SO FKNG HARD !” [All spaces and punctuation the artist’s own].

TRIPLE EXCLAMATION MARK EXCITEMENT!!!

VIDEO INTERVIEW: we talk Spice Girls, videos and being popstars with Parade

We met new-fave girl group Parade backstage at Wireless 2011 – here’s what happened:

Cold Cave, London Cargo

Cold Cave

May 12, 2010

Maybe it’s the slight drunkenness, maybe it’s the moving horse head in the pub before the gig, maybe it’s the hour I spend trying to talk to a Dutch girl in rudimentary German when all I know are requests for snack food and lewd come-ons, maybe it’s the way Cargo seems like a cross between a Mediaeval dungeon and a BBC set for a dystopian science fiction drama, with huge exposed pipes and thick black curtains. Whatever the reason, opening band Factory Floor come close to being the cheapest hallucinogenic experience I’ve ever had bar sleep deprivation and that time I didn’t eat for 5 days. … Continue Reading

These Are Powers – Candyman

These Are Powers - Candyman

Having been the bearer of ill tidings – that Liars’ Sisterworld isn’t the spectacular return to form we’ve long hoped for – it’s gratifying to know that there is a sisterworld out there, in which the long-departed rhythm section continue to excite, titillate and horrify. These Are Powers may not fill the Liars-shaped hole, exactly, but they aim to fill other ones you didn’t know you had. (Apologies for any lewdness… the press release has just informed me that the artwork is based on a fetishistic practice known as “sploshing”.) … Continue Reading

The Mary Onettes – Islands

The Mary Onettes

The Mary Onettes have made my job easy; I could do away with mentioning how their name reminds me of Earthbound (that SNES game from the 90’s) and just cut the whole review down to one sentence: Do you like The Cure? Yes? Then you’ll probably like The Mary Onettes.

Annoyingly that ‘probably’ means I have to elaborate and actually write a proper review, damn. Hailing from Sweden, The Mary Onettes are essentially an 80’s inspired pop band, taking their cues from gloomy acts such as Echo and The Bunnymen, and of course, The Cure.

However, where The Cure were known to produce the occasional upbeat tune, such as ‘Lovecats’ and ‘Friday I’m In Love’, this band maintain a steady level of mediocre melancholy in their sound, making them great for sad funeral moments in low budget films and sitting rocking gently in the dark, but not good for much else.

While Islands is without doubt a well performed and polished album, it just lacks energy, with each track agonisingly dragging into the next, like the horror that was the Freddie Krueger TV series (although The Mary Onettes could probably benefit from the excitement of having razor sharp fingers).

… Continue Reading

Classic album: David Bowie’s Lodger

Bowie's Lodger

By 1977, the collaboration between David Bowie and Brian Eno was running out of steam, which is fair enough when the last two years had each produced a genuine masterpiece of ambition and invention. Their final work together, Lodger, a more blurred musical vision than either of the previous two, is seen to represent the duo veering away from each others musical trajectories. After it, Bowie would lunge again at the mainstream, at first cautiously with Scary Monsters, and then without abandon with Let’s Dance. Eno, on the other hand, was busy hitching his wagon to David Byrne’s jerky star, making albums every bit as experimental and impressive as Low and Heroes.

Lodger is indeed noticeably distinct from the duo’s previous efforts. The first track hints at it – an epic ballad, ‘Fantastic Voyage’, is driven entirely by a piano and Bowie’s beautiful vocal, crooning a lyric which has a clear narrative of Cold War-era paranoia (it even contains a clear threat, that Bowie would ‘never sing anything nice again’ if bombs were dropped. The Cold War ended a mere ten years after this song – coincidence?). Its coherence and traditionalism would not have got anywhere near the preceding albums. Nor would the three chart-friendly singles, ‘DJ’, ‘Boys Keep Swinging’, and ‘Look Back in Anger’, all placed next to each other in the centre of the album for ease of picking. And following these, there are simply more songs  – no more long ambient tracks of harsh, isolated piano stabs. There are in fact no instrumentals on this album, and without Adrian Belew’s coruscating guitar continually turning songs on their head with layers of noise, it would be Bowie’s most accessible album for some years.

… Continue Reading

Lawrence Arabia – Chant Darling

Lawrence Arabia’s star is swiftly rising, he’s talented and a New Zealand export; a rarity in the last case.  James Milne’s second album Chant Darling, follows his 2007 self-titled debut but certainly doesn’t lag behind it; ten new uniformly charming and mostly brilliant tracks will cement his image as favourite NZ expat for many.

Opener ‘Look Like A Fool’ begins with an honest tale of (you guessed it) looking silly in front of a nice girl; Milne’s accent sounding somehow Beatles-esque. As the initially melancholy instrumentation swells behind these earnest vocals, Chant Darling’s signature sound becomes quickly apparent; gorgeous strings dictate subtle mood shifts and the clever vocal/guitar harmonies are wonderfully warm and full.

By third track ‘Apple Pie Bed’, a lightly overdriven guitar line and gleeful falsetto harmonies have made their welcome introductions and a plethora of 60s/70s pop influences suggest themselves but don’t overwhelm.  As the album progresses though, the delightful realization that every track has some kind of signature, stand out element or passage will rapidly dawn on you, as will the innocent, extravagant, quirky genius of it all.

… Continue Reading

The Pains Of Being Pure At Heart – Newcastle Academy 2

TPOBPAH

December 2nd 2009

It’s been a hell of a year for New Yorkers The Pains Of Being Pure At Heart. They’ve triumphantly ridden a wave of blog-driven hype for the whole of 2009, picking up a legion of plaudits for their effortlessly wonderful debut album which has culminated in a top 10 place in our very own albums of the year poll. I had them far higher than 8th in my own personal list, but hey, such is democracy…

… Continue Reading

Bo Ningen – Koroshitai Kimochi

Bo Ningen

It’s fair to say that I am something of a newbie to the vast genre of J-rock. The name Bo Ningen means nothing to me at all. I haven’t a clue what the song is about. Nor can I contextualise it for you without a frame of reference.

… Continue Reading

Blue Roses – Does Anyone Love Me Now?

Blue Roses

Let’s get this straight – Blue Roses (aka singer-songwriter Laura Groves) is in possession of a ‘voice’.

And not just a pretty voice, not even just a strong voice – but a voice with a remarkable, unique quality which may have warranted legions of favourable Kate Bush comparisons, but ultimately means Laura transcends them.

… Continue Reading