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Fennesz/Daniell/Buck – Knoxville

Fennesz/Daniell/Buck - Knoxville

Fennesz/Daniell/Buck - Knoxville

A lot of music journalism is a bluff. Upon being assigned an album to review, writers often fall immediately to sniffing around Google in an effort to contextualise the record within its zeitgeist and genre. The eventual hope is that the reader hears a voice that Gets The Record and Knows What It’s Talking About. Sometimes, however, a reviewer is forced to throw their hands in the air and confess that a record has left them adrift in a sea of experimental abstraction. Live recording Knoxville by three of the world’s most well respected purveyors of improvised experimental music – Christian Fennesz, David Daniell, and Tony Buck – is such a record. My critical faculties cower in the presence of what is essentially a physical experience, rather than an aural one. … Continue Reading

Yes Way, Auto Italia South East, London

August 14, 2010 Gig, Reviews Comments
Yes Way, Auto Italia South East, 14-16th August 2010

Yes Way, Auto Italia South East, 13-15th August 2010

August 13, 2010

Yes Way, Upset The Rhythm’s three-day weekend festival that brings the brightest lights and darkest freaks of the UK’s musical and artistic underground together, is back for its second year. Held at Auto Italia South East, a gallery space in Peckham that used to be a car showroom, its aim is to showcase the more experimental acts that lie just under the surface of the UK’s music scene. A quick glance at the line up seems to suggest that the organisers have managed to combine a few of the already fairly well-known acts from the underground scene – Male Bonding, Islet, Veronica Falls, Cold Pumas – with some unknown quantities, ready to be discovered. This is a combination that anyone who’s attended an Upset The Rhythm show over the past years will recognise, and may even have come to take for granted – it is important to stress then just how consistently great their shows have been, and how effective they’ve been at accommodating bands not just from the UK but also America.

… Continue Reading

Mercury Prize nominations – live!

July 19, 2010 News Comments
Barclaycard Mercury Prize 2010

Barclaycard Mercury Prize 2010

Hello! So, I’m here to oversee the announcement of the list of people in the running for the annual British music awards it’s OK to like and argue over and then dismiss when the ‘wrong’ person wins. It’s like a music Sports Day, with all the runners and riders in short shorts, ill-fitting vests and trainers your mum put in the washing machine especially for the occasion. You can have a read of who we think might be in the running and then obviously keep reading my rambles to find out who is on the shortlist. WARNING: I can’t spell and I’ve had very little sleep in the past few days, so pray for me. … Continue Reading

Arcade Fire, London Hackney Empire

Arcade Fire

Arcade Fire

July 7, 2010

Ladies and Gents, the Arcade Fire are back. Returning to London for a ’secret’ show at the Hackney Empire, the anticipation is huge. The band is using this gig to road test songs from their upcoming LP, The Suburbs, and boy oh boy, it sounds like a fantastic record.
… Continue Reading

Janelle Monae, Hoxton Bar & Kitchen

Janelle Monae - Hoxton Bar & Kitchen

Janelle Monae - Hoxton Bar & Kitchen

July 1, 2010

Beware: Janelle Monáe has her sights set far broader than the confines of Hoxton Bar & Kitchen.

Entering the stage to the left of two be-cloaked dancers wearing long, pointy-nosed masks recalling both Eyes Wide Shut and something more sinister, more shadowy and more Illuminati, anticipation is high and the temperature is higher on this hot summer night. And this era-less imagery in combination with Monáe’s taut, asexual monochrome dress is just one vehicle for expressing not only the characterisation at the heart of The ArchAndroid, but also her desire to be the next biggest and most undivisive star. … Continue Reading

Male Bonding, London Camden Barfly

Male Bonding

Male Bonding

One of the main joys of Nothing Hurts, the debut album released by Male Bonding in May, was the way it effortlessly captured the spirit and speed of their live shows – a Male Bonding gig has always been a brief, chaotic affair, and the simple energy on Nothing Hurts encapsulated this perfectly, while also revealing a few of the subtleties in their music, and particularly their lyrics, that had previously just flown by too quickly. … Continue Reading

The Wave Pictures, London Bush Hall

The Wave Pictures

The Wave Pictures

May 16, 2010

It feels like every discussion of The Wave Pictures has to include, somewhere, a warning, a note, or small print of some kind – ‘THE WAVE PICTURES ARE NOT FOR EVERYONE’ is the implication from critics, fans and non-fans alike (and for some fans certainly, it’s their main attraction). And it’s true, to an extent – people who value conventional hooks or choruses, musicians who sing in tune, stage presence or top-of–the-range production may want to look elsewhere. This is a shame though, as behind the occasionally sloppy musicianship (which in itself is often charming, reassuring or life-affirming with this band) are songs about the extraordinary highs, glorious messes and almost ever-present boredom of ordinary life. For many people, these are ‘hooks’ in themselves.

… Continue Reading

Au Revoir Simone, London Scala

Au Revoir Simone

Au Revoir Simone

June 10, 2010

The kind of delicate and dreamy synth riffs played by Brooklyn Francophiles Au Revoir Simone conjure up images of voyages through the galaxy if it was entirely knitted and the stars were made of kitchen foil and cardboard. Their brand of shoegazey synths, solid beat and fragile, soft vocals have the ability to hypnotise and relax the audience tonight. Their unassuming Kraftwerk style stage presence and sweet giggly between-song chatter consisting mostly of “Oh my gosh this is totally awesome you guys, thank you SO much, we love London!” creates a lovely atmosphere in the sold out Scala. It is clear the girls are so grateful to be playing in this venue and did not expect the huge reception they receive from the crowd after every song. It is warming to see that the show is special to them as well as to their audience. … Continue Reading

Thee Oh Sees, London Kilburn Luminaire

As I walked into a sold out Luminaire, the first thing that hit me was the heat. It was insanely hot standing in that tiny room on the eve of what had been one of the most swelteringly humid days in London since last summer. The air was heavy and salty and Thee Oh Sees were just tuning up to the sound of anticipatory cheers and whistles from the crowd. Singer and mastermind John Dwyer greets the crowd with “It is HOT in here” before launching the band into 50 minutes of frantic and totally fuzzed out garage/psych shredders that felt right at home being played amongst the haze of thick heat blanketing an ever more uncomfortable audience.
Consisting of only 2 guitars, a minimal drum kit and a backing singer, The Oh Sees create a tremendous sound that doesn’t sound like it should be coming from so few instruments. Their pounding basslines (played on a guitar) have an almost hypnotic effect when twinned with the primal beats being smashed out of the drums. Then theres Dwyer’s crazed guitar playing, covered in vintage echo and fuzz it just sonically batters everyone within earshot as heard when the band kicked into ‘Enemy Destruct’ from their 2009 album Help, the crowd went wild and the raw power of the band was put on full show for everyone standing round the edges to see. The opening chords of ‘I Was Denied’ propelled the first few rows of true fans into a mass pogo and there was even a stage diver at one point…not usual fare for shows at The Luminaire but then that’s the true spirit of Thee Oh Sees, their music inspires energy.
Half an hour of unhinged thrashing later and we are treated to a rendition of ‘Warm Slime’, the 13 minute title track of their newest album. By this time the band were drenched in sweat and the 10 minute instrumental jam section, punctuated by the odd shrill yelp down the microphone did begin to grate a little, although only due to the ovenlike conditions in the crowd.
Thee Oh Sees played like their lives depended on it, the energy was fantastic throughout and is rarely seen at small gigs around London, especially with trendy US bands the majority of the crowd have never seen before. The band tore through their set in true garage rock fashion not letting the pace drop for a moment, no slow songs got played here despite the fact they have many on offer. Theres something about this band, their hearts are in the right place and they do it for the love, their prolific album-every-six-months release schedule shows this and makes them a real fans band that you can really ‘get into’ and collect their limited records etc etc. Although their sound is somewhat recycled from the ’60’s garage scene it really doesn’t matter as they can put on a great show playing great songs and to be honest, what more could you ask for?
Thee Oh Sees

Thee Oh Sees

June 5, 2010

As I walk into a sold out show at The Luminaire, the first thing that hits me is the heat. Standing in that tiny room on the eve of what has been one of the most swelteringly humid days in London since last summer, the air is heavy and salty as Thee Oh Sees are tuning up to the sound of anticipatory cheers and whistles from the crowd. Singer and mastermind John Dwyer greets the crowd with “It is hot in here” before launching the band into 50 minutes of frantic and totally fuzzed out garage/psych shredders that feels right at home being played amongst the haze of thick heat blanketing an ever more uncomfortable audience.

… Continue Reading

Liars, London Shepherd’s Bush Empire

Liars

Liars

May 27, 2010

It goes without saying that Liars are a band that enjoy the louder things in life. Their five studio albums are a maelstrom of ideas and concepts merged together, propelled by a ferocious appetite for unseating the listener with wildly unsettling dynamics. Psych, folk, garage rock and punk form an often inconsistent palette that yet never fails to impress. So tonight’s surprise inclusion of two extra band members begs the question: what more is needed?   … Continue Reading

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