Kubla Khan – London Indigo2

Kubla Khan

February 19th 2010

Kubla Khan have transformed over the last few months.  Their last London gig, at 229 Great Portland in November, showcased a good band but lacked a decent frontman.  That’s not to say singer Matt Heanes was bad – far from it, in fact.  He just lacked that showmanship quality that a nine-piece band needs.

Fast forward to February, then, and how things have changed. Matt was visibly more relaxed, and interacted much better with the audience. Wandering about the stage and shouting “How you doing?… I said how you doing?!” it was evident his confidence has grown since the last time they were in London, and rightly so.

Heanes has a great voice, and Kubla Khan are a very tight band musically. Funk should be something you can move to, and the band as a whole seemed to be juxtaposed between chilled out and high on adrenalin. ‘Karma Comes Around’ is a catchy song which I still find myself humming to a week after the gig, and it was good to see the band having fun on stage whilst they played; the horn section were rocking out when they weren’t playing, laughing and joking with each other.

… Continue Reading

Yeasayer – London Heaven

Yeasayer

February 23, 2010

In Heaven, not everything is fine. The beer tastes like ass, and the men’s toilets smell worse than ass. But ass isn’t important here, not tonight anyway, because the sound at least is near divine.

There’s a hell of a lot of people, a varied grouping at that. Not surprising given the fervent hysteria Yeasayer’s Odd Blood is currently stirring among the music press. If All Hour Cymbals was Dad’s little folk secret, Odd Blood is the electro-psychedelic party music for da yoof, and all have gathered this evening.

Yeasayer’s support comes from fellow Brooklyn twosome Javelin. Their set is accompanied by an ’80s movie montage of assorted promo videos featuring Casio keyboard demos, tennis lessons with a mulleted Andre Agassi and BMX biker clips. Javelin’s synth and drum pad shtick provides quite the novelty soundtrack, and while I’m sure this ironic gimmickry goes down a storm in Brooklyn, here the 80s was an achromatic time, and the two dimensional songs do little to stir an attentive audience now cramming into the vault of Heaven. It’s the curse of the support act. In their defence, Javelin play with genuine moxie that keeps the audience captivated. But that’s not why we’re here.

… Continue Reading

The Chapman Family/Frankie & The Heartstrings/Little Comets – Stockton Georgian Theatre

The Chapman Family

February 15th 2010

The Georgian Theatre plays host to three strikingly separate bands this evening as part of the NME Awards show series. Rotating the order every night in the tour’s other shows in York and Leeds; it is the turn of Frankie & The Heartstrings to get proceedings underway tonight.

Striding on with assured confidence, the hotly-tipped act from Sunderland waste no time in pressing their case. In Frankie, they possess a front man who resembles Morrissey in the foppish-nature of his styling and Paul Smith in his bounding energy. Their songs are a potent combination of angular-pop guitar melody and regionalised dialect vocals. The Teesside crowd appears enthusiastic and provides the encouragement that it is apparent the band never really needed in all honesty. Former Kenickie member, Pete Gofton (AKA J Xaverre) provides some energetic guitar and keyboard work alongside the rest of the band who are all on fine form. An endearing performance which leaves us intrigued to hear more, a band to be keeping tabs on for sure.

Next up are Newcastle-based band Little Comets, who are also an act with their respective stars on the rise (pun very much intended). A stagecraft unlike no other, they have some old blue rope of the sort you used to make a ‘tarzee’ with as a child with various percussion hanging down, they are certainly engaging. Their singer appears to lose a few pounds in sweat due to the oversized fleece-jumper he sports but it doesn’t affect his energetic performance. Their highlight track is soon-to-be single Joanna, a pop-tune that is likely to win them even more plaudits.

… Continue Reading

Stornoway – Gateshead Sage

Stornoway

February 14th 2010

Presented by Twisted Folk, this tour juxtaposes the two very different entities of Beth Jeans Houghton and Stornoway. Although billed as headliners, it is the fine young gentlemen from Oxford that take to the Sage stage first and on whom we shall focus. The whole aura around Stornoway is carried in a very understated fashion, a minimalist approach signified by the apparent meekness of lead singer Brian Briggs. He ambles closer to the microphone in instalments before mustering a barely registering “hello”.

Once the band strike up, the facade of simplicity dissolves into the many layers of their thoughtfully constructed tunes. Each song is well-received by a crowd that needed some encouragement, even for a Sunday night outing, yet thankfully Stornoway’s charm does enough to win them over. It is plain that many are here to see them on the back of TV appearances on Jools Holland’s Later… alongside Jay-Z; Foo Fighters and Norah Jones, and a BBC Radio 1 session for Huw Stephens.

We manage to spot one lady in particular who seems to be growing in delirium as their set progresses, rocking backwards and forwards whilst clapping in a strangely afflicted manner, and can frequently be heard calling for various requests. Such fandom is something that is surely only to increase where Stornoway are concerned, with their debut album expected sometime later in 2010.

… Continue Reading

Daisy Dares You and The Plasticines – London Borderline

The Plasticines

February 8th 2009

Daisy Dares You walked on to the stage, more or less unnoticed.  All of a sudden she launched into the first track, her long blonde hair flailing around as she shook her head manically. 

The 16 year old doesn’t look particularly like a rock chick; indeed her debut single ‘Number One Enemy’ features Chipmunk – hardly known for his rock tendencies – but she was soon brandishing a guitar and rocking out like the best of them.  She looked slightly out of place amongst her band mates (who are all quite a bit older than her) but held her own throughout the show, struggling only to fully engage the audience, who were an older than average crowd lacking the teenybopper energy you’d expect at a gig like this.

Daisy reminded me of the UK’s answer to Ashley Simpson, or perhaps our very own Pixie Lott gone wrong.  Toward the end of the set, she broke into a punk-pop version of the Oliver! song ‘Who Will Buy?’  I couldn’t decide if it was sheer genius or completely awful, particularly as the middle section turned into a head banging competition between her and her guitarist.  Perhaps if I were 10 years younger, I might have appreciated her style a bit more, but, whilst I can’t fault her enthusiasm and energy on stage, felt she had a lot to learn about actual stage presence.   

… Continue Reading

Mike Doughty – London Relentless Garage

Mike Doughty

February 2nd 2010

“I want to be on you”.  Ron Burgundy’s “immortal words” are those chosen by Mike Doughty to sell himself to the British public.

Doughty, formerly of alt-rock band Soul Coughing, is pretty popular in the States, but relatively unknown here.  My question referred to selling himself to us in the style of a dating ad.  His witty answer, I come to realise, is standard.

The American singer-songwriter is a fairly open book, regularly tweeting (find him @mikedoughtyyeah) and blogging on his website, where he comments honestly on his day to day activities and thoughts on the happenings in the world; two recent tweets include “Lousy night. Crowd couldn’t have cared less” and “Salinger gone – perhaps we’ll at last hear his Rock Opera”.  Is it important for him to keep in touch with fans? “I think it ends up being important, but the reason I do it is just my general obsession with killing time online” he says. “I think my crowd feels pretty close to me because of the access I give to myself, but I don’t think it’s necessarily vital to being a musician these days”.

This openness has extended to a book about his previous life as a drug addict, which he’s in the process of writing.  Mike claims “writing prose is a lot more time consuming than song writing” and that “linear thinking”  is not his strength.  He’s currently struggling to write about his time with Soul Coughing, describing it as “pretty shitty”.
… Continue Reading

Chemikal Underground’s Celtic Connections – Glasgow ABC

Chemikal Underground

If you’re looking to name a contemporary independent Scottish label, there’s a chance Chemikal Underground will be the first. Originally set up by The Delgados to release their debut single, they quickly established themselves as the most important label in Scotland since Postcard releasing records by the likes of Arab Strap, Mogwai, Aereogramme, Bis, Mother & The Addicts and even Interpol (albeit only one record by them). Tonight’s gig, as part of Glasgow’s annual Celtic Connections festival is a celebration of Chemikal’s fifteenth birthday, with a selection of the labels current offerings on stage to help, and Vic Galloway hosting in between.

Travelling from ‘the other place’ to Glasgow, this writer only gets the middle of the evening’s entertainment, four bands who certainly maintain the label’s image of having an eclectic but cohesive roster. Zoey van Goey, are an indiepop five piece whose overall ‘sound’ is difficult to pin down, but they’re entertaining if nothing else. There’s something of a less-twee Belle & Sebastian about them, but perhaps if B&S had been weaned on post-rock, as well as Felt.

Next is the debut performance from The Unwinding Hours, formed from the ashes of Aereogramme (disbanded in 2007). They instantly create an atmosphere, beginning with sparse guitars before getting louder and more epic, slightly reminiscent of The Twilight Sad, if a little less dour. The highlight of their set has to be during their last song, ‘The Final Hour’, when the it changes from sparse instrumentation to an ear-splitting, trouser-flapping din, forcing numerous members of the audience out of their skin. Unfortunately some of the material verges a little bit on the MOR side of things, but with moments like that up their sleeve, it’s certainly worth giving them a chance.

Lord Cut-Glass are label founder and former Delgado Alun Woodward’s new project, making literate pop music, which certainly has echoes of his former band, if augmented with Scottish and gypsy folk influences, and even ska rhythms at one point.

… Continue Reading

The Ex + Brass Unbound + Zun Zun Egui – Bristol Fleece

The Ex

January 29th 2010

There’s a keenly felt sense of anticipation in the Fleece this evening. As well as being the first of The Ex’s performances with the formidable Brass Unbound roster – Mats Gustafsson, Ken Vandermark, Roy Paci and Walter Wierbos – the bill also features local firebrands Zun Zun Egui, a band that sorely deserve the increase in status this tour should hopefully bring. 

On paper, Zun Zun Egui are impossible to define. Try to explain their sound to a prospective listener and the sentence almost inevitably becomes tangled between brain and mouth. This evening their impact is dented a little by slightly muddy sound, at least from where I’m stood, but it does little to diminish their furious energy. Zun Zun’s frequent brilliance is hard to pin down, but partly lies in the tension between frontman Kushal’s glottal yelps and keyboardist Yoshino’s sweet, breathy vocals. Their interplay provides a consistency that allows the band space to snap seamlessly between spazzy blasts of guitar and four-to-the-floor tropical funk. Without that anchor – and indeed, without their drummer’s impressive chops – their music would run the risk of heading off in a hundred different directions all at once. Perhaps that’s a part of the appeal.

… Continue Reading

She Keeps Bees – London Black Heart

She Keeps Bees

Wandering the dark backstreets of Camden is not something I’d normally recommend to anyone but it is the only way you’ll find tonight’s venue. The Black Heart has proved itself to be a hidden gem of Camden Town by simply walking around the corner to find a giant black heart swinging from the wall. It’s the black cherry on the cake that stripped down ranchy blues rock duo She Keeps Bees are joining us tonight courtesy of The Allotment.

The Allotment are treating us to a three-strong line-up of female fronted rock bands this evening. Both Lulu & The Lampshades and surprise guests Peggy Sue & The Pirates smash out sterling sets; filling the room with personality and showing off quirks such as playing a typewriter with drumsticks which is only emphasized by the excellent village fete atmosphere provided by the organizers.

She Keeps Bees are nothing short of their reputation as thumping southern styled blues when they get going with their first song ‘Release’ from one of my album highlights of last year, Nests. There is something about She Keeps Bees which keeps at least one foot tapping . Jessica’s vocals tonight add to Andy’s thump and make them something slow enough to be sultry and gritty enough to be ranchy. The anthemic ‘Gimme’ engulfs this intimate venue with their raw garage groove and heads are nodding involuntarily. They show a slightly more country side to the pair with ‘Wear Red’ a loosely strung song with a belting vocal hook that still has it’s foot firming in the proverbial blues door.

… Continue Reading

Vivian Girls, Male Bonding, Trash Kit – London, Dalston Trinity Centre

Vivian Girls

January 25th 2010

Dalston Trinity Centre isn’t your average gig venue. Attached to a church and more accustomed to holding scout groups and nurseries (according to their website), it’s pretty much just a church hall. Intimacy was going to be the order of the evening then, rather than sound quality for instance, which was fine, as the three bands on the bill specialise in lo-fi, noisy pop songs that sound at home in small venues like this. Once gig-goers had worked out how to get into the venue (you had to ring a bell) and come to terms with the fact that there was no bar (the local off license probably did a roaring trade), the venue filled up quickly. The stage was lit by just two lamps – a fitting precursor to the simple, effective music that was going to be on show.

Trash Kit are an East London trio that formed in early 2009. Faces painted and full of nervous energy, the band take a few songs to fall into their stride but once they do, with songs like ‘Cadets’ in particular, they become easy to love. They’re a curious mix of The Raincoats (a violin appears at one point), Sung Tongs-era Animal Collective and DNA, but their songs do more than revel in twee, primitive nosie-makingand address subjects like personal identity. They’re one of a number of bands emerging from the creative DIY scene in East London at the moment, and an album is imminent.

If Trash Kit are just starting to distinguish themselves from the DIY herd, then Male Bonding are on the verge of completely transcending it. Signed to Sub Pop, and also with an LP on the way, 2010 could be a big year for them. Fittingly, I first saw them this time last year, supporting Vivian Girls, and since then constant touring has honed their grunge-surf-rock songs into tight, powerful pop entities. Powered by Robin Silas Christian’s powerful drumming and the close interplay between John Arthur Webb and Kevin Hendrik on guitar and bass, the band seem to effortlessly throw out these unavoidable melodies amid the controlled chaos. ‘Pumpkin’ and ‘Year’s Not Long’ remain highlights, but new songs continue to creep into their sets, suggesting that the promise of their early singles could be about to be realised.

… Continue Reading