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The Weekly Froth #16

February 8, 2010 Columns No Comments
The Dark Esquire - Situation

The Dark Esquire - Situation

Our weekly look into the blogosphere where we talk about six tracks we found out about in the previous Wednesday-to-Wednesday seven-day period.

Track of the week:

‘Situation’  by The Dark Esquire (CFCF remix)

He, it is a funny thing, I loved all the remixes by CFCF last year. They were really good, and then came the album, and for some reason it never really grasped me. This though is another beauty. It is less disco and less dancey than what you might have seen from him next year, and the overall vibe is a bit more in line with his album. But he really turns up the atmosphere on this one. I also really love the vocals here, and how yearning they are, but also how they are not belting over everything and everyone but how it stays within the melancholic framework. Yeah, lovely late night music for insomniacs really, and oh boy do those people need some good music like this. You gotta love the restraint CFCF shows on this one. … Continue Reading

2004: Danger Mouse, the unremembered-’80s revival, bestiality and Britney’s two-day marriage

December 21, 2009 Columns No Comments

2004 got 99 problems but this (comically cut) video ain’t one of them.

… Continue Reading

The Weekly Froth #8

November 23, 2009 Articles, Features No Comments
Pink Skull

Pink Skull

And we’ve been hitting the blogs again this week, to bring you some hot tips. They go a little like this…

Track of the week:

‘Chicken Dream Inside Egg’ by Pink Skull

Oh don’t get me started on the name of this track now. And they have the tendency to do such things as well! Oh dear… The puns, can you imagine the puns one could make if this track would be horrible? Anyway, it isn’t, so there goes that. Actually, this seven minute track is fabulous. Or well, at least the first six minutes, no idea what they were on when they added that last bit, though I can imagine it was the inspiration for the title. The rest is a delight though. Very danceable. That bass is ridiculous really. Sometimes they hold it back, and then they come back even more powerful (or perhaps it just seems that way because they held it back for a moment). Whichever way it is, it is really a nice track. They also add other sounds to the mixture during the course of the song, like a bit of vocal work even, but the bass is the main ingredient, and it’s a fun one it is.

http://hypem.com/track/953485/Pink+Skull+-+Chicken+Dream+Inside+Egg

‘I Have the Moon, You Have the Internet’ by The Field (Gold Panda remix)

Structured and flowing soundscapes is more The Field’s thing, and random noises more Gold Panda’s I guess. At least, I cannot seem to remember that the original sounded so fragmented and cut up. The heartbeat is nice though, that is really something which adds a certain vibe to the song. Perhaps it is just my personal preference to smooth running tracks which make this remix sound a bit off. Because for all the interesting noises and sounds added to the track and the imagery and feelings they evoke, it to me bops along. If you like that sort of thing and are into the melting of all kinds of different sounds in order to evoke a certain imagery, then this remix probably is one you want to listen to, as I can see and admire what Gold Panda does. I just don’t happen to particularly like it. Well the idea behind it I do like, the track itself does not scream “put me on repeat” to me.

http://hypem.com/track/960802/The+Field+-+I+Have+The+Moon+You+Have+The+Internet+Gold+Panda+Remix+

‘Future Breeds’ by Hot Hot Heat

I remember liking several tracks of these guys actually. This track certainly does not incorporate and build on the qualities I liked in previous tracks. And if it does then surely it is rather well hidden. The voice is a mixture of singing and reciting, just like the music is a rather curious mix of not being fast enough to be interesting and not having a structure which incites it. Perhaps the band wanted to add some gravitas by at one point stripping the instruments so you just hear the main vocals recite one thing or another, but since the first three quarters of the track did not keep my interest I will probably never know what he is banging on about during that point in the song. I’ll just try and find ’5 times out of 100′, that was at least dance inducing, no?

http://hypem.com/track/955314/Hot+Hot+Heat+-+Future+Breeds

‘Live Alone’ by Franz Ferdinand (Delorean remix)

Gosh, I do like the output from these Spaniards. And from the Scottish contingent of this song as well, but me liking Franz Ferdinand is nothing new (to me at least). But Delorean is a new one to me this year, and their tracks seemed very nice when I listened to their Ayrton Senna EP. Here they take on the disco ‘Live Alone’ track made by Franz Ferdinand, and they do put their stamp on it I say. Even the vocals are barely recognizable and made to fit the dreamy, twirling track Delorean has made out of it. Bit of a it’s-after-3AM-and-it’s-summer-and-I-am-dancing-at-an-outdoors-festival kind of thingy. That is what it provokes to me at least. Eyes closed and twirl, that is what it says to me. So all together quite a different tone from the original Franz track, then again, that is the idea of a remix I guess. And they succeed in that very nicely.

http://hypem.com/track/960624/Franz+Ferdinand+-+Live+Alone+Delorean+Remix+

‘Youthless’ by MillionYoung

Okay, the voice, not my thing really. Even in the short running time of the song I can safely conclude that. So not terribly excellent I guess. I like the piano, but with the song running only 2 ½ minutes the track does not have the punch that a short song like this needs in order to be memorable. And it fades out as well, which has me thinking that I possibly have an incomplete track. But that is not the case, I guess, I think, well…

http://hypem.com/track/961531/MillionYoung-to+review%2C+Youthless

‘Catch Me Baby’ by Paradise Lost

Paradise Lost is one of the bigger works by Milton. It also apparently is the name of a party in Australia, and this crew also edits disco tunes. This track is one of those edits. To be honest, I’m not so sure about this one. It is disco with that soul voice and the “Catch me on the rebound, baby” line evokes a classic disco vibe. But it seems as if it is playing too fast. As if they cranked up the BPM significantly. Whether they did it or the original is played this way I have no idea, but in any case I do not particularly care for it. The vibe it evokes to me is that they’re rushing through it, which is not really a feeling you want to evoke, is it?

http://hypem.com/track/953484/Paradise+Lost+-+Catch+Me+Baby

Do you remember the first time? Muso’s Guide’s first gigs

July 20, 2009 Articles, Features 5 Comments

After discussing our favourite gigs of 2009 so far, we’ve gotten all nostalgic and decided to reminisce about the first gigs we attended. We’ve been completely honest about it as well – possibly to our detriment. Get the violins out…

… Continue Reading

Of Montreal: the European success story

Of Montreal

Of Montreal

A continued conversation (first part here) with Jamey Huggins of the glamtastic American band, Of Montreal: this week read about the band’s almost overnight success in Europe, opening for Franz Ferdinand, and life on the Of Montreal tour bus.

MG: of Montreal just played over in Europe—how was the response different over there?

JH: Uh, well, it’s a weird thing, you know? Like, in England it’s such a hard thing to get an audience. And then suddenly, the last time we were there, or the time before this last time, we were really struggling for some press. And we played a show for like 200 people or something, did a couple of interviews, and then the last time we were there, we sold out this like 1,500 theatre and had to turn away like 300 people who were trying to get in. It was like overnight we were suddenly like legitimate in London after we’d been playing there for years at these really small clubs. And then like, the Franz Ferdinand concert, we opened for them and did that.

MG: How did that show go?

JH:  It was kind of a nightmare, actually. Nothing to do with them, you know, they’re absolutely great. They were really kind and everything, the band, but we had to go on in this really small space. And for of Montreal to do an opening set for anyone, it’s kind of tricky. So we played like six or seven songs, and we had a major technical meltdown where our in-ear monitoring died, so no one could hear what they were singing, we couldn’t hear each other. We fixed it after a couple of songs.  But still, it was great. And then we went to France and had a fantastic show in Paris. For some reason Paris loves the new of Montreal stuff. We sold more copies of Hissing Fauna and Skeletal Lamping in France than all of the rest of Europe combined.

MG: Why do you think that is?

JH: Well, I don’t know, the French like electro. And those records are very much, like, beat-driven. Um, but also I think we have a really great press team there. We just happened to get lucky with some really great, super enthusiastic, super influential people. And I guess, they told us this one story about this really popular TV host who has, like, several million viewers, and does this show, and apparently she made some little statement where she held up Hissing Fauna on her show and said “This is the best record of the year, and if everyone watching the show doesn’t go out and buy this tomorrow I’m gonna stab my hand with this…” She had like a knife, and was holding up the record with this knife, and was stressing how emphatic she was that France needed to listen to this strange American band.

MG: I guess it worked, then.

JH: Well, I’m sure that’s part of it. But it’s weird, cause in France, they play us on like regular radio, you know? More of like the Clear Channel rock station or something. So it’s like weirdly somehow more legitimate or something. They don’t have the sense that we’re like an indie band.

MG: So will there be more crazy costumes tonight? Any family members making cameos again?

JH: Yeah, you know, it’s always a revolving cast, depending on who can do it. I mean, if we had our way, we’d have them all every night. People have been kind of trading off, taking legs of the tour. So like we had Nina [Barnes, Kevin’s wife] in New York, and we even had Alabee [Kevin’s daughter] on stage. … Continue Reading

Super Furry Animals’ Dark Days/Light Years – our LIVE reaction!

March 16, 2009 News 2 Comments
Super Furry Animals

Super Furry Animals

Over here at Muso’s Towers/Mansions/Palazio/Galleria, your Reviews/Features Editor is sitting on the edge of her chaise longue awaiting the Super Furries’ gig webcast. Novel, isn’t it? Yes, yes it is.

Gruff Rhys et al are premiering their new album Dark Days/Light Years by playing it live in its entirety to a virginal audience. And we (i.e. ‘I’) are (am) going to be offering you our (my) reactions to each of the tracks as they hit our (my) reflexes!

Said tracklist looks like this:

… Continue Reading

Check out the brand new Franz Ferdinand video

March 16, 2009 Videodrome No Comments
Franz Ferdinand

Franz Ferdinand

Franz Ferdinand‘s ‘No You Girls’ is out on April 6th 2009 and is the second single to be released from the Franz Ferdinand: Tonight record.

… Continue Reading

War Child – Heroes

March 11, 2009 Album, Reviews No Comments

Everyone should buy Heroes. This isn’t an end-of-review spoiler, or a statement that affirms the bringing together of musical heavyweights such as Rufus Wainwright and Elbow can only go well. The main reason to buy Heroes is War Child, the charity behind the record.

… Continue Reading

Franz Ferdinand – Hammersmith Apollo, London

March 10, 2009 Gig, Reviews No Comments

Franz Ferdinand

Monday March 9, 2009 … Continue Reading

This week’s festival news round-up

February 25, 2009 News No Comments
No time for portaloos

No time for portaloos

Another week, another load of festival news – like a massive delivery of portaloos or pear cider, I’d imagine.

… Continue Reading

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