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Thee Oh Sees, London Kilburn Luminaire

As I walked into a sold out Luminaire, the first thing that hit me was the heat. It was insanely hot standing in that tiny room on the eve of what had been one of the most swelteringly humid days in London since last summer. The air was heavy and salty and Thee Oh Sees were just tuning up to the sound of anticipatory cheers and whistles from the crowd. Singer and mastermind John Dwyer greets the crowd with “It is HOT in here” before launching the band into 50 minutes of frantic and totally fuzzed out garage/psych shredders that felt right at home being played amongst the haze of thick heat blanketing an ever more uncomfortable audience.
Consisting of only 2 guitars, a minimal drum kit and a backing singer, The Oh Sees create a tremendous sound that doesn’t sound like it should be coming from so few instruments. Their pounding basslines (played on a guitar) have an almost hypnotic effect when twinned with the primal beats being smashed out of the drums. Then theres Dwyer’s crazed guitar playing, covered in vintage echo and fuzz it just sonically batters everyone within earshot as heard when the band kicked into ‘Enemy Destruct’ from their 2009 album Help, the crowd went wild and the raw power of the band was put on full show for everyone standing round the edges to see. The opening chords of ‘I Was Denied’ propelled the first few rows of true fans into a mass pogo and there was even a stage diver at one point…not usual fare for shows at The Luminaire but then that’s the true spirit of Thee Oh Sees, their music inspires energy.
Half an hour of unhinged thrashing later and we are treated to a rendition of ‘Warm Slime’, the 13 minute title track of their newest album. By this time the band were drenched in sweat and the 10 minute instrumental jam section, punctuated by the odd shrill yelp down the microphone did begin to grate a little, although only due to the ovenlike conditions in the crowd.
Thee Oh Sees played like their lives depended on it, the energy was fantastic throughout and is rarely seen at small gigs around London, especially with trendy US bands the majority of the crowd have never seen before. The band tore through their set in true garage rock fashion not letting the pace drop for a moment, no slow songs got played here despite the fact they have many on offer. Theres something about this band, their hearts are in the right place and they do it for the love, their prolific album-every-six-months release schedule shows this and makes them a real fans band that you can really ‘get into’ and collect their limited records etc etc. Although their sound is somewhat recycled from the ’60’s garage scene it really doesn’t matter as they can put on a great show playing great songs and to be honest, what more could you ask for?
Thee Oh Sees

Thee Oh Sees

June 5, 2010

As I walk into a sold out show at The Luminaire, the first thing that hits me is the heat. Standing in that tiny room on the eve of what has been one of the most swelteringly humid days in London since last summer, the air is heavy and salty as Thee Oh Sees are tuning up to the sound of anticipatory cheers and whistles from the crowd. Singer and mastermind John Dwyer greets the crowd with “It is hot in here” before launching the band into 50 minutes of frantic and totally fuzzed out garage/psych shredders that feels right at home being played amongst the haze of thick heat blanketing an ever more uncomfortable audience.

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The Saturdays announce first UK tour

March 12, 2009 News Comments
The Saturdays

The Saturdays

Girl band The Saturdays have released details of their first headline UK tour, which is taking place this summer.

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Hidden Masters, Edinburgh The Voodoo Rooms

The Hidden Masters

The Hidden Masters

March 6th, 2009

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Shy Child, London Koko

August 24, 2008 Gig, Reviews Comments

July 6th 2007

In a city that never sleeps, for a 12.30am stage time you need an outfit that can create intrigue and give off energy in the same quantity and there is probably not a new band around today, as well qualified in those stakes as Brooklyn, New York duo Shy Child.

Incongruous, but energetic and captivating, skirting towards the funk disco rock of The Rapture and swinging back into a range of Whirlwind Heat musical spasticity and rawness, keeping the crowd on their toes. ‘Drop The Phone’ stands out for the lurking vocals of Pete Cafarella that have more than a hint of Eamonn Hamilton (Brakes) to them. The catchy Friday night flavour is conjured up with ease, ‘The Noise Won’t Stop’ and it is this number that will win over trendy folk, like many of those in attendance tonight.

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Z-List Tears, Warrington WA1 Bar

August 24, 2008 Gig, Reviews Comments

July 26th 2007

Getting the citizens of Warrington to close down their Arctic Monkeys MySpace page for one night and, to venture out in support of the growing opportunity to see a vibrant local band, is a thankless task on a Saturday night. Therefore, to ask this of them on a Thursday evening is as worthwhile as asking Amy Winehouse if she’d like a glass of orange juice.

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Creamfields 2007

Pre-purchased alcohol is guzzled frantically, as revellers stand in an increasing queue waiting to be searched. 15:45 approaches and the cutting comments at this inconvenience become aggravated because, an agonising 400 yards away the man of the moment Mark Ronson is whipping out whirling mixes and funky tunes. Naturally, tracks from the Version album dominate, but ‘Ooh Wee’ from 2003’s Caught By The Fuzz album gives the main-stage a bright disco lift.

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Plain White Ts, Manchester Academy 3

August 24, 2008 Gig, Reviews Comments

August 31st 2007

Despondent high school-aged kids wait outside in the vain hope that the melodic pop/punk fairy godmother will fall from the sky and hand them tickets for this sold out show of Plain White Ts. They are probably the only fans cursing the success of recent single ‘Hey There Delilah’. The sold-out signs went up not long after it made friends with our beloved popular radio stations.

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Maximo Park, Manchester Apollo

August 24, 2008 Gig, Reviews Comments

Saturday October 7th 2007

There is something strangely comforting about hearing your native accent when you live away from the place you grew up. Luckily for me, I can experience this feeling whenever I go to see Maximo Park. Paul Smith’s Teesside twang, to be mistaken for a Geordie accent at one’s peril, is music to my ears.

Manchester Apollo sold out months before this much-anticipated gig, and the treat of two hotly-tipped support acts, Blood Red Shoes and Good Shoes, was a none-too-shoddy (ha!) move by the Park. The North East’s most important band kicked off with the rabble-rousing ‘The Coast Is Always Changing’, highlighting an unshakable tightness that certain NE teams’ defences could take note of.

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David Ford, Leeds Brudenell Social Club

August 24, 2008 Gig, Reviews Comments

Monday October 8th 2007

When I think back to my favourite gigs of all time, it is not necessarily seeing my favourite band Blur for the first time at Leeds festival, nor watching the Arctic Monkeys in a dingy club before they got big. David Ford’s show in a small pub in Huddersfield at the back end of 2005 had that special something that you just can’t put your finger on.

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The Twang with Little Man Tate, University of Liverpool Student Union

August 24, 2008 Gig, Reviews Comments

October 12th 2007

Despite their Sheffield roots and a strutting “write about what happens to you” approach, the debauchery-espousing Jon Windle quintet of Little Man Tate has managed to carve their own model of modern life gazing.

Undoubtedly, their bouncing pop slant and Windle’s calming, yet punchy, vocals has helped them steer enough away from the Arctic Monkeys base, to establish their own identity. A pop-friendly and underpinning mod streak takes a more pronounced display through the fatter, newer numbers.

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