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She Keeps Bees – London Black Heart

February 2, 2010 Gig, Reviews Comments
She Keeps Bees

She Keeps Bees

Wandering the dark backstreets of Camden is not something I’d normally recommend to anyone but it is the only way you’ll find tonight’s venue. The Black Heart has proved itself to be a hidden gem of Camden Town by simply walking around the corner to find a giant black heart swinging from the wall. It’s the black cherry on the cake that stripped down ranchy blues rock duo She Keeps Bees are joining us tonight courtesy of The Allotment.

The Allotment are treating us to a three-strong line-up of female fronted rock bands this evening. Both Lulu & The Lampshades and surprise guests Peggy Sue & The Pirates smash out sterling sets; filling the room with personality and showing off quirks such as playing a typewriter with drumsticks which is only emphasized by the excellent village fete atmosphere provided by the organizers.

She Keeps Bees are nothing short of their reputation as thumping southern styled blues when they get going with their first song ‘Release’ from one of my album highlights of last year, Nests. There is something about She Keeps Bees which keeps at least one foot tapping . Jessica’s vocals tonight add to Andy’s thump and make them something slow enough to be sultry and gritty enough to be ranchy. The anthemic ‘Gimme’ engulfs this intimate venue with their raw garage groove and heads are nodding involuntarily. They show a slightly more country side to the pair with ‘Wear Red’ a loosely strung song with a belting vocal hook that still has it’s foot firming in the proverbial blues door.

I can’t help feeling tonight She Keeps Bees are better suited to a smoky New Orleans dive or the corner of a steamy New York street more than this twee The Allotment show but they pull it off well, even if it’s just by Jessica’s charm between songs. They prove that there is room for more than one boy/girl outfit in the blues rock world by giving a outstanding show which I would be happy to relive weekly.

Written by Paul Caudell

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