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Delphic – Acolyte

December 23, 2009 Album, Reviews Comments
Delphic

Delphic

The new Musical Season starts in December; various names are being banded about, the next big thing is about to be chosen. Could it be Delphic?

Already they’ve appeared on Jools Holland, achieved considerable airplay for their singles ‘This Momentary’ and ‘Doubt’, and significantly they are signed to the very fashionable label Kitsuné. Their sound is of the moment – ‘elecdie’ (electro-indie).

The problem with Acolyte is that it doesn’t sound particularly revolutionary. It wouldn’t be wise to get down to your local bookies and place money on this album winning the Mercury Prize, and you really wouldn’t imagine gazing into the crystal ball and predicting Delphic will light up the hundreds and hundreds of festivals next summer. But who really cares about hype? If we ignore all of the above then Delphic are just another band from Manchester; yet Mancunian bands usually, historically speaking have a bit about them. Even The Courteeners got some goodwill from critics because their postcode started with an ‘M’. I guess we get caught up in the folklore of the city, and believe that there is still some magic in the Northern air, despite the city’s radical facelift over the last twenty years.

‘Clarion Call’ opens epically like the introduction music to the hourly Sky Sports News bulletin. The blend of blip blip synth noodles and tick tick tick eighties drum machines segues into ‘Doubt’, the angular, sterile cousin to the Klaxons, Friendly Fires and The Temper Trap et al. We’re revisiting the recent; the anthemic chorus that precedes the frantic rhythmic setup. Divinely robotic. Utterly lifeless.

The Balearic Beat of ‘Halcyon’ seems to portray what Delphic want to achieve on this album, blending the nineties Ibiza sound with angelic indie. Better late than never the album seems to suddenly step up, ecstatic and hedonistic ‘Submission’ and ‘Remain’ both divert the listener away from the soggy grey every day. But is it enough to merely distract, to recall holiday’s in the sun, and past times when you were probably too pilled up to truly appreciate what you were moving your body to?

Delphic are a timid time machine of a band, travelling back to yesterday, only cursed by an early onset of Alzheimer’s, unable to remember the divine elements of their fundamental influences.

Written by Richard Wink

.. is a writer currently based (stuck?) in Norwich. Aside from his fledgling career as a 'poet' he writes music reviews. He also edits the enigmatic litzine Gloom Cupboard, and is an international correspondent for Slurve Magazine.

  • I was really impressed with their performance on Jools Holland. There's a competition to win their new album 'Acolyte' here http://bit.ly/91zu1r
  • evilous
    those of you stupidos comparing Delphic to Klaxons, Friendly Fires or other shit, just tell me one thing - can one compare a band to another band just for the reason both use the same equipment? freakin NO. You cannot compare Anthrax to Limp Bizkit just because it's generally guitar based music, Public Enemy to FloRida cos it's hiphop, and same thing with Delphic, the reason they have 2 vocalists doesn't make them Klaxons for god's sake... totally different harmonies, pressure they put on euphoric electronic sound brings more Orbitalish than Klaxonish associations. THIS IS TRUE NEW RAVE. Long live Delphic boyz.
  • dannywadeson
    I loved this album dude! I kinda see what you mean though; perhaps this'll be a divisive album? If you dig it you'll really dig it, if you don't...you hate it!
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