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Who hasn’t got enough MySpace friends to fill The Roundhouse? Part Deux

We’ve talked you through the first load of bands who wouldn’t fill The Roundhouse with their MySpace friends alone on this year’s Camden Crawl, and here’s a load more!

Threatmantics – MySpace friends: 2382 (Cardiff, Wales)

Much is made on Threatmantics use of the viola in place of a guitar, and rightly so. Whilst the instrument has seen a renaissance in recent years with the burgeoning London folk scene and the likes of Arcade Fire using one on stage, here it’s used in a slightly different manner by the band. Instead of being an additional part of their sound it’s very much centre stage. So while ‘Get Out of Town’ sounds like it could snugly fit on The Wicker Man OST elsewhere they sound more like Fairport Convention or Creedence Clearwater Revival playing in the same room as Physical Graffiti era Led Zeppelin. The heavier, thrasher feedback friendly nature of their side is played up heavily on stage and it’ll not surprise you to hear the occasional bit of Welsh might be slipped in.

Alessi’s Ark – MySpace Friends: 4709 (London)

Alessi’s Ark is the stage name of Alessi Laurent-Marke, whose debut album Notes from the Treehouse is due out next month and was recorded with the help of Mike Mogis (of Bright Eyes). Like the best pastoral folk music, Aleesi’s Ark seems to spend it’s time with a permanent sense of autumnal dusk. Augmented by Ohama’s finest strings, harps and brass which bring the best out of Laurent-Marke’s otherworldly songs, subject matter includes  the weather, horses, kite-flying and freckles. There’s much to be enjoy here and plenty to look forward to with comparisons to a Cat Power fronted Thrills or even (though no less warranted) to Joanna Newsom or Syd Barrett’s wide-eyed, child like song writing being thrown up. She’ll be backed by members of Mumford and Sons this weekend.

Three Trapped Tigers – MySpace Friends: 1140 (London)

One of the more surprising acts to qualify for this list, we were sure they’d be above the capacity for The Roundhouse.  Whilst comparisons to Battles can and should be made, the majority of their numerically numbered songs include moments that bring to mind the electronic pulse of Holy Fuck as well as some much calmer post-rock interludes.  Like and good live act they don’t thrive on volume alone, the tonal shifts and gaps between peaks and troughs are what make it all so thrilling. Might be worth earplugs if you are near a speaker, we wouldn’t want you to step out in front of a car on Camden High St now would we.

Lion Club – MySpace friends 3967 (London)

It’s reassuring to hear a band that has a fantastic, powerful vocalist who really does bring each and every song he sings up a level through sheer brute power. Not just by being loud either, there’s a sense of direction and unleashing it when appropriate. Mixed in with some sky-scrapping guitar work and cacophonous drums it adds to a thrilling prospect. Setting their sights on the Big Music of Echo and The Bunnymen and thrashing din of The Jesus and Mary Chain does them no harm and even in demo form a call to arms like ‘Middle of The Night’ begs to be ringing in the ears of as many punters as can be crammed it to hear it. Think White Lies but better.

Copy Haho – MySpace Friends: 4280 (Stonehaven, Scotland)

It’s good to hear such a new band so in love with the sound of Young Scotland but not restricting themselves to solely aping Josef K and Orange Juice, recent EP Bred for Skills and Magic showcased not just a penchant for the styling of Postcard Record’s finest but throwing a dash of US indie in with nods to Pavement, particularly on ‘Bad Blood’, amongst others. They do the whole pared down; quiet introspectiveness as well as they do the choppy indie disco shuffle. One is tempted to point out that this is what early REM were so good at doing. Thankfully not really picked up in the crush to crown the next big thing at the start of the year, they’ve continued to tour hard in the first part of the year and we are eager to hear any new material they have to offer.

Your Twenties – MySpace friends: 1558 (London)

Your Twenties lead singer Gabriel Stebbing is currently best known as a sometime member of Metronomy, if his band’s forthcoming debut contains many more tunes like ‘Caught Wheel’ then that won’t be the case. Sounding like an electronic bubble fuelled 21st century take on a lost, blissed out Fleetwood Mac or even Crosby, Stills and Nash number if one can imagine such an aural treat. Other demos pride themselves in being catchy, hummable and full of swooning backing vocals as well as ringing, chiming guitar micro-riffs. Will be equally at home getting people to move their feet late at night or to have them wistfully dreaming of the warmer days just around the corner.

The Big Pink – MySpace friends 4285 (London)

As winners of the NME Phillip Hall Radar award many words have been written on The Big Pink already. Following in the footsteps of Glasvegas, The Twang (No, really.), The Long Blondes, Kasier Chiefs and Franz Ferdinand it’s clear there will be plenty more. With the current folky flavour coming through in a many a new band taking their name from the title of The Band’s debut album may lead people to expect a certain sound from them. Well don’t. Instead they mix the processed, out of this world, woozy electronic pulses with the stoned, drone rock familiar to both of Jason Pierce’s bands and add in the sound of John Cale’s viola to (them again) The Jesus and Mary Chain’s early shoegaze template.

Despite the restriction we gave ourselves here, there are plenty of other bands appearing such as Marina & The Diamonds, Peggy Sue, The Joy Formidable and Little Death that are worth your time. If you really feel like checking something very fresh out, we’re keeping a beady eye on Indie Idle semi-finalist from Leeds, Laura Hocking (762 friends) as we love ‘Greenwich Mean Time’ and we want to see at the (totally made up) Laurafest 2010 with Miss Marling and Groves (Blue Roses) where she’ll fit right in for plenty more reasons than her first name.

Written by Mitchell Stirling

.. is based in Aberdeen where he shares a flat with a lizard called McNulty. Despite going to several dozen gigs each year he never once went to Reading Festival in the six years he lived within earshot of the festival because he can't be doing with 16 year olds. He subsidises buying albums he has on CD on vinyl, and vice-versa, by winning pub quizzes. If he were a book he'd be Revolution in the Head: The Beatles' Records and the Sixties yet with chapters on Radiohead, The Smiths, Bob Dylan, Super Furry Animals, and British Sea Power as well. He'd like to think of himself as a young Larry David but he's friends would suggest Mark Corrigan. He has literally have no idea what that's supposed to mean. He is attempting to visit every capital city in Europe before the age of thirty and he wonders if you can have Mastermind as your specialist subject on Mastermind far too often. His mind is the equivalent of Nanny's sling in Count Duckula.

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