Arctic Monkeys
I’m not really too bothered about who he’s fucking, or where he lives, or even what he gets up to outside music. He can become an actor if he wants, start painting….. whatever. I’m concerned about Alex Turner, ‘the indie icon’, about this ‘genius’ tag that has prematurely been bestowed upon his slender frame. … Continue Reading
Delphic
The new Musical Season starts in December; various names are being banded about, the next big thing is about to be chosen. Could it be Delphic?
Already they’ve appeared on Jools Holland, achieved considerable airplay for their singles ‘This Momentary’ and ‘Doubt’, and significantly they are signed to the very fashionable label Kitsuné. Their sound is of the moment – ‘elecdie’ (electro-indie).
The problem with Acolyte is that it doesn’t sound particularly revolutionary. It wouldn’t be wise to get down to your local bookies and place money on this album winning the Mercury Prize, and you really wouldn’t imagine gazing into the crystal ball and predicting Delphic will light up the hundreds and hundreds of festivals next summer. But who really cares about hype? If we ignore all of the above then Delphic are just another band from Manchester; yet Mancunian bands usually, historically speaking have a bit about them. Even The Courteeners got some goodwill from critics because their postcode started with an ‘M’. I guess we get caught up in the folklore of the city, and believe that there is still some magic in the Northern air, despite the city’s radical facelift over the last twenty years.
Eminem - The Marshall Mathers LP
We resume our extended nostalgia-bit with a revisit of the year 2000, courtesy of Richard Wink… we’ll be travelling forwards in time over the coming days after zipping back, so keep your mice peeled or whatnot.
The Marshall Mathers LP helped me pass my GCSEs. I remember sitting in the exam hall during a Maths exam and the lyrics to ‘Who Knew’ kept rolling through my head– “I don’t do black music, I don’t do white music / I make fight music, for high school kids/I put lives at risk when I drive like this/I put wives at risk with a knife like this”. What? You didn’t expect me to be listening to Kid A, did you? … Continue Reading
Rage Against The Machine
The X Factor is arguably the best thing to happen to Pop Music since the advent of MTV. Yet for the last two years a number of spiteful people have attempted to derail the fairytale, and prevent the deserved winner of the popular singing contest of becoming number one in the charts. Simon Cowell has revived Pop Music, he’s made us care again about Pop, we invest in the dreams of the contestants, and we buy into their journey.
Names like Leon Jackson and Shayne Ward roll off the tongue, before The X Factor they were nobodies. Now they are failures… popular celebrity failures. But the one thing you can never take away from them is being number one in the charts at Christmas, joining an illustrious list of artists that includes Mr Blobby, East 17, Rolf Harris and Little Jimmy Osmond. … Continue Reading
Rain Machine
Since his band (TV On The Radio, if you didn’t know) is currently on hiatus for a short spell Kyp Malone has decided to venture solo under the moniker Rain Machine. The album is a sophisticated form of art folk, designed for hip smoky basement bars where the whiskey is strong enough to put hairs on your chest. What sets this album apart from most other one man and his guitar albums are the subtle changes in Malone’s vocals, his voice becomes an instrument and tells the story of the song in a more concise way than the lyrics, swiftly changing from sorrow, to anger after lust and jubilation.
Katsen
On first impression Katsen resemble the sort of band that might soundtrack Nathan Barley, were Chris Morris and co to make another series of the underrated sitcom. Katsen are knowingly quirky, and they make awkward sounding electro-pop a little like Hot Chip and Ratatat minus the mojo, only more entrenched in the eighties sound.
Artists have been bitching a lot recently about pirates, about pick pockets, about file sharers and essentially pointing the big guilty finger at everybody other then themselves when it comes to the sudden appearance of their work on the internet.
Now I’m going to put this out there in spite of knowing that the door already has been blown wide open to the musical safe, meaning that everything – pretty much every song and album from rare Garth Brooks B-sides to the entire back catalogue of Sparks is there for the taking. But a great deal of artists from the pre-file sharing age have been helpless when it comes to their music being illegally downloaded, however there are those who have been releasing their singles and albums since the advent of file sharing just haven’t been careful enough, it is those artists that we must question, are they truly valuing their music? … Continue Reading
Elvis Perkins
Elvis Perkins is a throwback to a bygone age, his music sounds classic, old fashioned even, but oddly it doesn’t sound dated. What Perkins does is take a time machine back, capture a moment and channel the emotion through song. How he does this is in itself rather remarkable, and testament to his qualities as a musician. The criticism, however, will always be: why is an appropriation of the past relevant today?
Latitudes
I warmed up for this album by listening to Robbie Williams’ much maligned masterpiece Rudebox. Why? Because I wanted to make my ears sensitive, I wanted them to be soaked in electro sugar pop. I wanted them to be unprepared for an audio onslaught. I wanted to be marooned on the opposite end of the spectrum. Then I lit up and chilled for a few moments, taking in George Clinton’s ‘Atomic Dog’. I’m now beyond the spectrum and into a new galaxy.
Mariachi El Bronx - Mariachi El Bronx
Baffling. That is the word that can best describe the Bronx’s decision to indulge in a Mariachi side project. No longer is front man Matt Caughthran snarling like Henry Rollins, instead he croons mournfully like Vicente Fernández. Certainly this is the most unexpected album release of 2009
What is this album? A light hearted attempt to let off some steam seems to be the answer to that question. One imagines the concept was created after a few rounds of Tequila Slammers during a marathon of Robert Rodríguez movies. Either that or the band merely tapped into California’s vibrant Latino culture and picked something that has been pretty much reduced to restaurant entertainment. The truth is that the band fiddled around with the concept during their infamous ‘Downtown Rehearsals’ and kept writing acoustically whilst on tour. It is incredibly brave for the band to let this music see the light of day, yet the Bronx believed in what they were doing and began performing these songs on stage. … Continue Reading
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