Razorlight, Eden Sessions

Johnny Borrell

July 9th 2009

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Kasabian, Eden Sessions

Kasabian - image by Gareth Lloyd

July 4, 2009

For thousands of years, the heated debate between creationists and those of us with bloody common sense has raged; is Darwin’s Theory of Evolution the reason we’re all here living and breathing, or was woman created from Adam’s rib and let loose in a garden of riches only to cause humankind’s eternal condemnation? (If you’re having trouble deciding, you might not want to read much more). However, tonight at Cornwall’s majestic Eden Project, a surreal and disturbing rewriting of the time/space/belief continuum is occurring as Neanderthals invade the verdant former clay pit to see Kasabian become the least fitting band to grace a stage since John Mayer at MJ’s funeral. Crowd highlights include a chap wearing a t-shirt wondering “Is it necrophilia if it’s still twitching?”, blokes comparing how many midgets they know (two apiece, apparently) over their respective six pint trays of cider, and hordes of delightful types dropping empty beer cups and fag ends in the sweet pea patches. If we’re searching hard for silver linings, at least they’re ignoring The Hours, whose dulling tones make it seem plausible that Kasabian might actually provide some sort of musical relief.

Please, someone pinch me. As Kasabian strut on stage seemingly in order of self-perceived importance, the only relief they could offer might be to an stratospherically obese person thinking about getting back into exercise, as they demand that we put our hands in the air for the first of more than 20 times in a 15 song set. The command constantly spills from Tom Meighan’s lips as if he has attention-seeking Tourettes, joining his messianic spread arms in an hubristic display that’s embarrassing to watch. They boom on with ‘Underdog’, the opener of West Ryder Pauper Lunatic Asylum, which psyches up the crowd with pithy sentiments like “lost in a moment” and easy to grasp expansive concepts such as “sky” and “future”. Profound. The empty sentiment omnipresent in their songs forms a vicious circle live – they sing about “doing it for the people”, who in turn respond with unabated glee (throwing nine pint cups per minute due to the wanton abandon that Kasabian provoke), spurring Meighan’s foolhardy ego on. It makes pooping back and forth forever look appealing… … Continue Reading